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Reid on Memory and Personal Identity

Rebecca Copenhaver

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Page 1

Source: http://plato.stanford.edu/entries/reid-memory-identity/

Thomas Reid held a direct realist theory of memory. Like his direct realism about perception, Reid developed his account as an alternative to the model of the mind that he called ‘the theory of ideas.’ On such a theory, mental operations such as perception and memory have mental states—ideas or impressions—as their direct objects. These mental states are understood as representations that encode information about their causes. The mind is directed towards and reads off from these representations information about extra-mental items. By contrast, Reid holds that the direct objects of memory and perception are extra-mental. In the case of perception, the mind is directed to present material objects and properties; in the case of memory, the mind is directed towards past events to which the person was agent or witness. In other words, according to Reid, when we remember, we do not recall previous experiences. In memory, the mind is directed neither towards an idea experienced previously nor towards an idea of a previous experience. Rather, we recall events, experienced previously.

Reid is interested in the notion of memory not only for its own sake but also because of its conceptual connection to the notion of personal identity. Reid criticizes Locke's theory of personal identity for inferring a metaphysical hypothesis now called the Memory Theory from the conceptual connection between memory and personal identity. On this theory, personal identity consists in memory; sameness of memory is metaphysically necessary and sufficient for sameness of persons. According to Reid, memory is neither necessary nor sufficient for personal identity, metaphysically speaking. Indeed, Reid holds that it is impossible to account for personal identity in any terms other than itself. Personal identity is simple and unanalyzable. Though memory is not the metaphysical ground of personal identity, according to Reid, it provides first-personal evidence of personal identity. I know that I was present at my graduation because I remember being there. Memories do not make one the same person over time. Rather, memories allow one to know one's own past, immediately and directly.

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1. Criticizing the Storehouse Model of Memory

Reid traces the target of his criticisms back to the Ancients, whom he depicts as holding that the mind is a sensorium—a repository of past ideas and impressions (Essays, 280). On this theory, perception, memory and imagination are causal processes beginning with purely physiological events: impressions on the brain. These physiological states are taken to have mental correlates—sensations or ideas of sense or sense impressions—which are the objects of perception, memory and imagination. These ideas or impressions are representations in the sense that they preserve, or re-present information from their physiological correlates. According to Reid, this view recognizes no distinction between imagination and memory. Each consists in having a picture-like impression that remains after the the object that impressed upon the senses is gone. The only difference between the two is in the fidelity of the imagistic impression to its cause. Memory consists in the preservation of images imprinted in the mind from previous experiences, while imagination consists in constructing images that lack a duplicate in experience.

Reid offers two criticisms of the ancient theory, as he understands it. First, the theory falls afoul of one of Reid's own methodological strictures, namely, that a theory must adhere to Newton's regulae philosophandi, or rules of philosophizing (Inquiry, 12). The first rule is to posit no merely theoretical causes and in Reid's view the second rule forbids positing causes insufficient to explain the phenomenon in question. According to Reid, there is no observational evidence of the existence of impressions on the brain—they are merely theoretical entities (Essays, 281). Furthermore, even if we granted the otherwise theoretical existence of impressions, such entities would not be sufficient to explain memory. We might establish a correlation between impressions and memories, but it would remain at best just that: a correlation, not a causal explanation. Having learned Hume's lessons about causation, Reid denies any necessary connections between impressions and memories sufficient to regard the former as a cause of the latter. Reid also considers whether resemblance could ground such a causal explanation, but, having learned Berkeley's lessons about resemblance, he denies that any mental states can resemble material states such as impressions on the brain. Reid's second criticism is that even if we were to grant that impressions remain after the objects that impressed upon the senses are gone, this would entail that we should continue to perceive objects rather than remember them, since on the ancient theory, impressions are the immediate causes and objects of perception (Essays, 282).

Though Reid identifies his target as having ancient origins, his primary concern is with what he regards as its modern equivalent. This modern theory was introduced by Locke and, according to Reid, extended to its inevitable idealist and skeptical conclusions by Berkeley and Hume. Reid excerpts passages from Locke's Essay Concerning Human Understanding to illustrate the misleading metaphors Locke inherits from the ancient theory—metaphors of the mind as a storehouse and of ideas and impressions as pictures.

The other way of Retention is the Power to revive again in our Minds those Ideas, which after imprinting have disappeared, or have been as it were laid aside out of sight…This is Memory, which is as it were the Store-house of our Ideas…But our Ideas being nothing but actual Perceptions in the Mind, which cease to be any thing, when there is no perception of them, this laying up of our Ideas in the Repository of the Memory, signifies no more but this, that the Mind has a Power, in many cases, to revive Perceptions, which it once had, with this additional Perception annexed to them, that it has had them before. And in this Sense it is, that our Ideas are said to be in our Memories, when indeed, they are actually no where, but only there is an ability in the Mind, when it will, to revive them again; and as it were paint them anew on it self, though some with more, some with less difficulty; some more lively, and others more obscurely (Locke, Essay, Book II.x.1–2).

As this passage illustrates, Locke himself acknowledges that the notion that the mind is a kind of repository or storehouse is metaphorical. According to Locke's own theory ideas and impressions cannot be stored. Locke is committed to the thesis that ideas are momentary and non-continuous and to the thesis that identity over time requires continuous existence. These two theses jointly entail that numerically identical ideas cannot be stored over time. Nevertheless, Reid criticizes Locke for being unable to extricate himself from metaphor when Locke claims that in memory, “the mind, as it were, paints ideas anew on it self.” On what model does the mind paint the idea anew? In order to use a previous idea as its model, the mind must remember it. But then the ability to paint ideas anew upon itself presupposes rather than explains memory.

Locke offers a non-metaphorical account of memory when he claims that memory consists of two perceptions: a present perception and a belief about that present perception, namely that one has enjoyed the perception before. Because Locke is committed to the thesis that numerically identical ideas cannot be stored over time, the belief must be the belief that one has previously enjoyed a perception qualitatively similar to the present perception, rather than numerically identical with it. Reid criticizes this account as circular, once more. A first-personal belief that one's present perception is qualitatively similar to a perception one had in the past requires remembering having had that previous perception and recalling its quality and character. As before, Locke's account presupposes rather than explains the phenomenon of memory (Essays, 285).

 

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